Workshop dubravko Lapaine LYON oui / non ?

[doudou]

Bonjour,

Alors tout est dans le titre, dubravko lapaine à la possibilité de donner un workshop a lyon le 18 avril de cette année sachant qu'il sera présent à lille le week end précédent.
Afin de simplifier l'organisation du workshop, j'ai besoin de savoir si oui ou non vous êtes intéresser.

Grosso modo, voila le topo :

- Week end du 18 avril 2009
- 16 personnes max
- 8 Heures de cours ( 4 samedi apres midi 4 le dimanche)
- Scènes libre / Concert samedi soir
- Prix entre 70€ et 100€ le week end (prix à définir)
- Possibilité d'hébergement (gratuit) sur lyon
- Prévoir quelques euros pour les repas & boissons

Merci d'avance

[Boris]

Entre 70 et 100euro pour 4h en tout ? sa fait plus cher que pour les cour de Zal' et Gauthier, enfin c'est pas grave je serais là !

[micalyptus]

Mince, c'est vrai que cette histoire m'aurait bien tentée.... mais le 18 avril, il y a rudy qui nous fais le plaisir de venir jouer par chez nous!..... il va falloir encore se couper en deux....

[doudou]

Yep

Je up le post car je viens d'avoir dub qui me dit aqu'il ne préfere pas splitter en deux groupes !
Donc le workshop sera non pas de 4 heures mais de 8 heures environ par personnes au même prix.

Il y aura surement un bon concert le samedi soir avec des guest star :7:

[Boris]

DOnc le workshop sera non pas de 4 heures mais de heures par personnes au même prix.

De combien d'heures ?

[doudou]

Oups pardon j'ai zapper le 8 !

Environ 8 heures ! dub fera en focntion du groupe !

[Boris]

Yaaaa la ouii !

[Magiksplash]

Ça me tente bien... Reste juste à vérifier que je suis dispo à ce moment là... :7:

[doudou]

Ça me tente bien... Reste juste à vérifier que je suis dispo à ce moment là... :7:

Ecris dans ton agenda plus dispo le 18 car wshop de lapaine :6: Comme ça plus de soucis :8:

[Boris]

On peu nous redire en Français ce qu'il a prévu de nous apprendre ? ou faire travailler ?

Ce qui n'impressionne le plus c'est le parallel playing !! ^^

[RickDeckarD]

Ca me tente bien moi aussi !
En plus ça fait longtemps que je suis pas venu vous casser les pieds :7:
Et ça doit faire longtemps que vous avez pas mangé de canelets :7: :7: :7:

[rudy de lyon]

Ca me tente bien moi aussi !
En plus ça fait longtemps que je suis pas venu vous casser les pieds :7:
Et ça doit faire longtemps que vous avez pas mangé de canelets :7: :7: :7:

hop hop hop !!!!!!QUOI????? des canelets????? où??? Où ça??????
Ah tiens, notre rick est de retour !! bonne nouvelles, on s'inquiétait à Lyon !

[doodeaux]

Hello dear people of FD!
I would have never found this topic if mr. Doudou didn't interrupt my very serious topic "storytellingstories" about playing didges from here to the moon.
I must admit that I don't quite understand the talk in French, so I maybe missed something, but it seems that it doesn't say what I can offer to teach.
This is the list of my topics:

1 - parallel playing - this is i think the most common thing i am asked about -it is about playing simultaneously more sounds, rhythms, melodies... it is the illusion of orchestra - for this topic i have recently developed a methodology, and this is the one i would like to talk about because i find it useful, practical, and applicable to different stlyes -BIG topic

2 - balkan and other (even more) complex rhythms- this is why songs sound moved in a good way, and what is the meaning of "groove" in them... it is the differences in rhythms like 7/8 and how to catch the "essence" of grooves like 9/8 or 11/8, how to gain ability to play one rhythm over the other (this is can also be explained on straight rhythms for simplicty) or with very close interactions. also i would give you my theory of counting rhythms with examples and practices- BIG topic

3 - playing long tubes - says enough for itself, but the emphasizes are how to play it freely like normal tubes, slow, fast, any way, and also what we gain from that length -this is smaller topic, because it is hard to gain instant abilities- so more is left to the theory, although there is practice

4 - singing in didgeridoo songs - very important aspect of my playing, for me it's making "real" songs- i would not talk here about composing melodies, i would just talk about how to sing and how to sing to the rhythm, how to sing real and recognizable melodies -this can be either small or very big topic, but there is practice with melodica or piano, and lots of fun!

5 - composing - most complex of all, most etherical, but in my opinion, also most useful- it is a topic to tie up the previous topics...if there is enough time, would be nice to have individual approach here, they are very good examples for learning.

This topics are not absolutely strict. I answer all the questions to which i know the answer. Like for example "how to get sound from that song at that and that time" or "wh yo green ants have red eyes", but i use topics as strong guidelines and i make my time schedule by them. This is why i need to know in advance what we would be doing.

I've spend some time to organize things in my head to be able to teach, because it is impossible to teach the chaotic way i've learned. I do it because i want to give you the best i can.And i do that, because I want you to leave the concert or workshop or have my instrument and be more than absolutely satisfied. Otherwise i am not satisfied either, and that is not a very satisfactiory situation. I only want to do this if you want to do this.
If you would be top students, listeners and players, i will go to my balkan jungle more than happy. I hope this is clear.

It is one o clock now. I start early. So i thank you for reading, thinking, writing, wish you good night, day, whatever time is to you, and i am off to sleep.

Du

[ricksib]

yep yep
ça me dit bien aussi ce petit workshop, :icon_banane:
tu peux compter sur moi doudou.

[Boris]

Yeah thank Du ! Now I search some money for coming at Lyon and pay your workshop Maybe It's okay, I've two month for this
See you later man !
I really haste too learn your didgeridoo technics !